两个月后,重新打开画面,他发现了新的剪辑逻辑。声音的河流引领他重新拼接影像碎片,他不再执着于最初预设的政治历史框架,而是让材料自身的情感脉络浮现。杜耀豪总结:“电影实际上是一个非常透明的失败过程。我没有成功地把他们聚在一起,也没有人比以前更快乐。”
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The “Knocking on Wood” Wikipedia page mentions Roud’s conclusion, and this claim of a 19th century origin has circulated online as the final say on the matter. If you go back to the original, though, Roud’s proposal actually ends on an ambivalent note: “Before this theory [of 19th century origins] can be finally accepted, however, an examination of the history of European forms of this custom would be advisable.”